This professional and yet very user-friendly software is used to easily configure Audiotec-Fischer DSP products. The numerous adjustment options leave nothing to be desired and thus guarantees extremely precise sound adaptation, even while under difficult conditions. Thanks to the integrated demo mode, the software can be extensively tested or used create a sound setup profile without a DSP connected.
The user interface
The user interface has numerous display areas, such as the menu bar, the channel selection, crossovers, time correction and the equalizer at the same time, thus providing an overview of the most important settings.
The channel assignment
The Channel Routing menu is used to arrange all input and output channels. Here you can name the channels individually, mix input signals together and assign the input signals to the outputs.
The runtime correction
The IO menu (input - output) is used to arrange all inputs and outputs. Summarising input signals also happens here. Thanks to the intelligent "Distance" mode, the runtime correction becomes a breeze. All you have to do is measure the distance between the speakers and the listening position and enter the values (in cm) in the appropriate input fields. The required delay for the individual channels is then automatically calculated by the program.
The Real-Time Analyzer
A real tool for the real sound designer! The Real-Time Analyzer in combination with a measuring microphone (e.g. our MTK1) makes it possible for the comfortable adjustment of the DSP. For highest measurement precision the functionality has been extended by the implementation of several important features. The resolution can now be increased to the finest 1/24 octave steps in order to capture and measure even the smallest resonance in the vehicle. In addition, the display between bars, lines or point display can be varied as well as the duration of the measurement and the curve smoothing. This will ensure that nothing stands in the way of the perfect setup of our DSP products.
Freely scalable graphical user interface - adapts to all screen resolutions, font sizes and screen sizes
Multilingual - support of various languages including: German, English, Finnish, Chinese (additional languages are added continuously)
Regular updates and enhancements of the functionality
Clear and structured user interface, divided into 5 areas
Main: All channel parameters can be selected and configured at a glance
DCM: Device specific & software specific settings
IO: Freely configurable input and output signal matrix via drag & drop GUI for easy routing of all signals
Time: Overview of all channels for practical setting of runtime and phase
RTA: Integrated measurement program for simple frequency analysis in the vehicle
One software for everything - Almost all Audiotec Fischer products are compatible with this software, so that the configuration process remains the same across all products
Extensive configuration of the high- and lowpass filters
Frequency can be set via arrow keys in 1/48 octave steps and by keystrokes in 1 Hz increments
5 different filter characteristics available - Butterworth, Bessel, Tschebychev, Linkwitz and Self-Define
Slope per filter to -42 dB / oct. (64 Bit DSPs) or -30 dB / oct. (56 Bit DSPs)
Phase, polarity and running time
Run-time correction are adjustable at very fine resolution levels; at 96 kHz sampling rate in 0.01 ms / 0.35 cm / 0.14 inch increments at 48 kHz sampling rate in 0.02 ms / 0.7 cm / 0.28 inch increments
Polarity is separately adjustable for each input and output signal Selections are between normal (0 °) and inverted (180 °)
Detailed phase settings for high-frequency, midrange, and subwoofer channel Phase in the high and mid-tone channels, they are adjustable in 11.25 ° Phase setting increments in the subwoofer range, they are adjustable in 5.625 ° increments
Output levels of each channel are adjustable in 0.25 dB increments
An Extensive frequency graph for graphic representation of all the planned acoustic settings
Representation of the amplitude response and the phase position
Simultaneous visualization of several output channels for the presentation of reusable loudspeaker installations
A summary of all the current frequency settings
Shows the RTA traces
Extremely powerful, channel-separated equalizer
Various EQ adjustment modes selectable
FineEQ (Paragraph EQ) Resolution of the EQ level can be adjusted in 1 dB, 0.5 dB or 0.25 dB increments Q-factor adjustable between 0.5 and 15 Visualization in red
Parametric EQ resolution in 0.01 dB increments Q-factor adjustable between 0.5 and 15 Visualization in blue
Allpass filter Selection between 1st order (90 °) and 2nd order (180 °) Q-factor adjustable between 0.5 and 2 Visualization in yellow
Low- and highlevel filters Frequency adjustable in 1 Hz steps Q-factor adjustable between 0.1 and 2 Visualization in green
Touch screen optimization for Windows tablets
Various hotkeys for easy control of all important functions via keyboard (F-keys for channel selection, number keys for mute, E for equalizer, H for highpass, etc.)
Currently supports all Windows operating systems as of Windows XP - future support has already been integrated
Fixed a bug in the new backend of software which caused issues with the 56-Bit DSP plattform (MATCH M 5DSP, MATCH PP 62DSP, HELIX DSP) on some computers. We are sorry for the issues and the short update cycle.
MATCH UP 7BMW has been implemented
New main menu button called FX has been implemented to configure the new DSP features of the UP 7BMW amplifier
Augmented Bass Processing Contains the "Dynamic Bass Enhancement" algorythm and the "SubXpander". The Dynamic Bass Enhancement extends and boosts the deep bass response depending on the listening volume and the music signal. The lower the listening volume and/or the low frequency proportion in the music signal is the more our algorythm is working to optimize the bass reproduction. The SubXpander is a separate function which adds subharmonic tones to the fundamental bass for an ultra-deep bass experience.
Center Processing Contains our proprietary "RealCenter" algorythm, which emphasizes the monaural information of the left and right stereo signal and dynamically processes and reproduce a center signal. As a result a unique staging for the driver and passender seat can be achieved at the same time. The ClarityXpander is a separate function which statically or dynamically improves the high ferquency response to create crisp and clear brightness on the center channel.
Front Processing Contains our proprietary "StageXpander" algorythm which enlarges the sound stage provided by the left and right side speakers to achieve a wider stereo panorama. The ClarityXpander is also available on these channels as a static function to create a crisp and clear brightness as well on the side speakers.
IO - A bug in the Input EQ has been fixed which could cause issues when convertig an input EQ band into a shelving filter
Several small optimizations concerning the freely skalable GUI have been done and a new backend has been integrated to support upcoming new DSP plattforms
RTA - Minimum window height has been optimized to have the possibility to place the RTA window above the EQ sction also on small screens
IO - A bug in the Optical Output Routing of the P SIX DSP has been fixed which allows now to route the DSP channels G & H to the optical output of a HEC module
The AutoSet function of the RTA is now muting all non-active, non-linked channels automatically as intended
A bug has been fixed which could cause issues when saving Sound Setups to the DIRECTORS memory
The rename function for the DIRECTOR Sound Setups is now working properly again
Several small optimizations and bug fixes
This updates is only a software update. No DSP plattform will need an forced firmware update.
Extended multi-language support - Finnish has been added to the language selection
DCM - a new menu has been added for the DSP.2, the DSP PRO and the DSP PRO MK2 which allows to deaktivate the output limiter in the DSP signal path. The output limiter is used to protect the output stage against digital clipping (0 dB limiter). If the digital clipping protection is deactivated it is mandatory to make sure that the output level bar will never show up completely red at any listening volumes. If the output level bar lights up red digital clipping is detected which can cause damage to the connected speakers.
The volume control behaviour of the URC remote control has been optimized - this update will only be applied if a factory reset / DSP update is done
A bug has been fixed which could cause a software crash when products with a 15-Band EQ on specific channels were connected
A bug has been fixed which caused an irregular behaviour of the polarity button if specific channel types were selected. The polarity buttons are now working correctly for all channel types.
This updates is only a software update. No DSP plattform will need an forced firmware update.
New configuration menu added to the launcher screen – accessible via the gearwheel symbol
Extended multi-language support – German has been added to the selection, more languages will follow soon
During the update process it is now possible to save the internal configuration files (afpx-files) before the update process is started. This function does also work if the configuration was done with an older software version of the DSP PC-Tool (V3 und V4). Each memory can be saved individually by pressing the “Save afpx 1” and “Save afpx 2” buttons at the Update dialog.
Main – The high- and lowpass filter slope are now showing “off” instead of “0 dB/Oct.” to point out that the filter is deactivated.
Main – The “Self-Define” filter characteristic now shows the correct filter slope of “-12 dB/Oct.”
Main – The frequency graph is now placed again exactly above the 30-band equalizer to have a better visual assignment of the graph frequencies to the EQ-band frequencies. Unfortunately this change limits the frequency graphs maximum frequency to 20 kHz instead of 40 kHz for our high-res audio products. Nevertheless this is only a visual limitation and no technical limitation so the frequency response of the device is not affected and it is still possible to place parametric EQ-bands up to 40 kHz.
DCM – All adjustments done under the „DSP PC-Tool configuration“ tab are now stored globally and have not to be configured for each sound setup individually
DCM – The view and the names of the signal management tab have been optimized and direct links to the corresponding signal routing matrices have been added
IO – A new box has been added which shows the actual signal management configurations for each signal routing matrix at the top right corner. In addition a gearwheel symbol has been added to jump directly to the signal management page
Several Labels have been reworked and renamed
The keyboard shortcut “r” has been added to the Main screen to import a “Room EQ Wizard” specific EQ coefficients file for the selected channel.
If the DSP PC-Tool Version 4.20a is used with upcoming DIRECTOR Update V1.70 the second, device internal memory slot will be deactivated as long as the DIRECTOR is connected to the DSP. This is necessary to fully avoid incompatibilities during the saving and switching process to the second memory slot. As soon as the DIRECTOR is disconnected and the DSPs USB port is used the second memory slot is activated again. This change reduces the total usable memory slot in combination with the DIRECTOR to 21 instead of the primary 22 slots. The second memory slot will be skipped automatically in the upcoming DIRECTOR Update V1.70.
Several small bugs have been eliminated, i.a. issues at the AKM DAC configuration for the DSP PRO MK2, time alignment adjustment errors for the HELIX DSP, signal management issues for the PP 62DSP, crashes while load a sound setup, window scaling issues at low screen resolutions, reduced processor loads, etc.
The minimum window height has been fixed to allow a full screen view of the software on screens with a maximum vertical resolution of 768 pixels.
HELIX DSP has been implemented
MATCH PP 62DSP, PP 82DSP und M 5DSP have been implemented
The last used window size will now be saved when closing the software and recalled after opening it again
Main - A new Copy Menu has been implemented. The menu can be opened by right clicking on a non-selected channel in the top channel navigation of the main window. The menu allows to transfer specific data from the selected active channel to the right-clicked channel. The data which should be transferred can be selected in the new menu, data which is not compatible between the channels cannot be selected e.g. phase data between a full range and an active speaker channel due to the different phase adjustment possibilities.
Main - A new "polarity switch" button has been implemented to make the difference between phase adjustment and polarity inversion more clear. The button is available on all channel types and has the same funtion as the former phase adjustment mode where only 0° or 180° was selectable. A polarity inversion affects the whole frequency range and is the same as inverting plus and minus wire at the speaker. The phase adjustment still influences the phase alignment at a specific frequency and is only available in active speaker setups. The option to invert the polarity in the IOs signal summing matrix keeps unaffected.
Main - The middle frequency of the Shelf-EQ kann now also be marked by using the mouse and edited by using keyboard inputs. The same is possible to enter 1 Hz accurate frequencies in the high- and lowpass filter section.
IO - The input signal objects (left box) now shows also the device specific input name which is written beside the physical inputs at the device.
The EQ-bands are now inaccessible during the activation of the Equalizer-Bypass function, to avoid undesired adjustments.
DCM - The "PC-Tool Configuration" tab now shows a new option called "EQ View Mode" which allows to extend the frequency graph by displaying EQ points. By choosing the option "point" the frequency graph just shows all EQ points in the frequency graph. By choosing the "drag & touch" option a mouse or a touchpad can be used to adjust the EQ points directly in the frequency graph. Each EQ point is connected to an EQ-band, the color of the EQ point displays the EQ characteristic (red = para-graphic EQ, blue = parametric EQ, yellow = allpass filter, green = shelf EQ). By selecting an EQ point the corresponding EQ-band is automatically selected and converted into a full parametric band to avoid any limitation in adjustments. The mouse wheel can further be used to change the Q factor. We are also working on proper multi-touch function to change the Q-factor as well by fingers.
Main - New keyboard shortcuts have been implemented. The button "D" can now be used to make the window borderless to maximize the full screen support of the software.
Devices which have a native sampling rate of 96 kHz have now an extended adjustment range of the parametric EQ-band center frequency up to 40.000 Hz to optimize the frequency response also in the higher frequency ranges e.g. to handle resonance frequency peaks of hard dome tweeters
The DIRECTOR will now be automatically selected as the active remote control in the DCM menu if the connection to the DSP is established via the DIRECTORs USB port.
HELIX P SIX DSP MK1 has been implemented
MATCH PP 86DSP has been implemented
Main mask – fixed an issue in the time alignment
Setting memory path is stored
Allpass > 500 Hz up to Q-factor = 15; Allpass < 500 Hz Q-factor = 2...1
Phase link on channel with the same phase type
HELIX P SIX DSP MK2 - fixed an issue in the Dynamic Headroom Management and Analog Input Delay
HELIX V EIGHT DSP - fixed an issue in the Analog Input Delay
HELIX DSP PRO - fixed an issue in the Analog Input Delay
HELIX DSP PRO MK2 has been implemented
Added support for the following devices: HELIX DSP PRO, P SIX DSP MK2, V EIGHT DSP
Bypass Button (beside EQ) deactivates only the EQ and has no effect on time alignment any more
DCM – Turn On and Off Delay have been added for HELIX DSP.2 and DSP PRO MK2
Graph window has been optimized due to the scalability
HELIX DSP PRO MK2 – Asahi Kasei Microdevices Sound Filter Options of the DA converter are now adjustable
Several minor improvements of the usability and scalability
Please note: The support of further products will be added gradually. Each device has to be implemented and tested separately. As soon as all 64 Bit DSP devices have been implemented we will start to integrate the 56 Bit DSP platform as well.
Completely new developed DSP PC-Tool with a huge feature upgrade.
In the main menu, various sections such as the channel selection, crossovers, time correction and the equalizer are displayed at the same time and thus provide an overview of the current settings. The following graphic gives you some helpful tips for working in the main menu. Detailed information about the different areas can be found in our Sound Tuning Magazine.
Quick Tip - Channel Routing Menu
The Channel Routing menu is used to organize all input and output channels. Here you can name the channels individually; mix input signals together and assign the input signals to the outputs. The graphic on the left shows you how easy it is to organize the inputs and outputs with the DSP PC-Tool. More detailed information on channel routing can be found in our Sound Tuning Magazine.
Sound Tuning Magazine
Loads of helpful tips and tricks on how to use our DSP PC-Tool software, plus numerous little tip bits of advice for properly calibrating your sound equipment can also be found in our Sound Tuning Magazines. They are free to download: Sound Tuning Magazine
Here you can download the audio signals for frequency response measurement
The measurement of frequency response curves with the ATF audio analyser requires an appropriate audio signal. In this case a so-called “pink noise” signal is used which has to be reproduced through your car audio system.